“From the 1950s the recorded music industry, which had a distant relationship to muzak and pre-programmed music in general, began to adopt the rhetoric, if not the format, of these types of music. Whereas a long standing assumption had not surprisingly been that consumers bought recordings to actively listen to them, many records were released that were specifically designed to create particular home environments: ‘music as wallpaper’ played in the background to add a mood, create a particular atmosphere, or convey sounds of exotic, otherworldly places that consumers might dream of visiting” (Chris Gibson, John Connell, Music and Tourism: On the Road Again, 2005)
Percy Faith “Song from Moulin Rouge”
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