“Anyone who has seen Quentin Tarantino’s films will be well aware of the masterful and unique way the director uses music. But the Hollywood hero doesn’t fly solo when it comes to picking—and clearing—the tracks in his movies. That’s the job of his trusted sync stalwart, Mary Ramos, who has been working with Tarantino ever since she took a role as music coordinator for his classic Pulp Fiction (1994)…As she later explained, Tarantino’s penchant for searching out the obtuse and the outrageous has made her life rather difficult at times” (Emma Griffiths, Music Week, 5/9/2014).
The Centurians “Bullwinkle II”
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